Finding The Mechanism

Finding The Mechanism

Entropic Spacetime Field Equation
On International Women’s Day this year, I excitedly posted the Turing-style reaction-diffusion equation pictured here, that produced wonderful filaments in tests and looked promising in toy runs against other known tensions.

However, once I started digging down into the maths, it seemed that diffusion equations give beautiful Newtonian gravity but are not quite explaining the Ripplefield in other areas.

So for the past two months I’ve been running a series of tests on a new equation, which I’ll share once I have some definite results to post up. So far, it is displaying Newtonian  gravity and some flattening of rotation curves, but I’m digging a little deeper before reporting anything.

FANFIC – Project Hail Mary

FANFIC – Project Hail Mary

FICTION - Atheen - Project Hail Mary - An Unexpected Outcome

Ever since setting up my music website many years ago, I’ve always tried to keep my other projects seperate. However, all of that has changed with an accidental excursion into cosmology that has ended up bringing my various passions together.

My composing will continue. But writing is becoming a bigger part of my life. Writing shows, stories, developing audiobooks and of course, writing up my research on the Entropic Spacetime Field (ESF).

I’m busy developing a series of short fictional stories based in my own ESF universe, but for now, I’ve kicked things off with a fanfic piece on AO3. It’s a Project Hail Mary story, detailing the start of the next adventure for Rocky and Grace. Kudos to Andy Weir for coming up with such amazing characters and for the in-depth science research that’s become a feature of his work. The Martian will always be one of my favourites.

For anyone that’s into sci-fi / fanfic, you can read the story here – https://archiveofourown.org/works/86348441

8 Favourite Virtual Pianos

8 Favourite Virtual Pianos

Piano Day 2025 - Piano Plugins

Happy Piano Day 2025! I’ve played a lot of pianos over the years, real and virtual and I’ve had a few different favourites, depending on what project I was working on. These are the virtual ones that I currently have installed for various musical uses, including cinematic, jazz, relaxation and lofi.

IK Multimedia Pianoverse

I love the Pianoverse plugin and use these pianos on a lot of tracks, especially the Bösendorfer. I’ve always loved the rich tones of Bösendorfers, which makes them ideal for a range of styles, including jazz and chillout. There’s a lot of realism with Pianoverse samples due to their added mechanical noises, round robins and mic placements. I sometimes use this as a standalone for practise too. Lots of fun to play.
(Track – Desolation)

Modartt Pianoteq Studio

This is a fantastic plugin that I use for my daily practise as it loads really quickly as standalone software, I can be playing within seconds unlike some of the other options. I have a couple of Steinway D models here which are great for jazz (plus some vintage tines for the funk / fusion tracks).
(Track – Clouds)

EastWest Bösendorfer

EastWest Bösendorfer was one of the first virtual pianos I purchased due to its deep, rich tones. I’ve used it on a few relaxation tracks over the years and love the control that you get over the sound with the lid and mic position options. Dropping the lid gives a lovely, muted effect for very gentle, atmospheric pieces.
(Track – Rainfall)

Spitfire BBC Piano

I regularly use the Spitfire BBC orchestral instruments for soundtrack style pieces so getting the piano was a must as it blends beautifully with the room settings of the other instruments. It often needs a volume boost but has a lovely tone and expressiveness, as you would expect from such a high end sampling company like Spitfire.
(Track – Polka in Bb Major)

UJAM

I love all of the UJAM plugins, they take a different approach by offering a great, easy to use control panel with carefully matched effects and a range of preset tones and riffs for a really speedy workflow, hardly surprising since one of the founders is Hans Zimmer. Their Score piano is beautifully sampled, a very ethereal and atmospheric option.
(Track – Drifting Off)

Spitfire Labs Soft Piano

Spitfire Felt Piano is a Labs freebie and a fantastic choice for chilled out pieces. I’ve used it alone and blended with other pianos and it’s one of those instruments where, with the addition of a little bit of reverb, you can get lost for hours just playing for fun.
(Track – REM Sleep)

XLN Audio Addictive Keys

I have the Studio Grand which is a lovely, bright and dynamic option that’s a real pleasure to play. This one lends itself to different styles although I’ve mostly used it on cinematic and neo classical style pieces.
(Track – Sugar Lumps)

Korg M1

OK, so much more than a piano but the Korg M1 was a no brainer for recreating that classic house sound, so I picked this one up for sessions where that sound is required. It’s a lot of fun to play as it takes me back to that era where I first got into synths. I got to play on a real M1 every day in the store where I worked but never got to own one. Here’s a little sample of that famous M1 piano sound.

Rhodes Anthology Plug-in

Rhodes Anthology Plug-in

What an exciting time to be a Rhodes fan. Not only have we been treated to the new Model 8 plus its software version, the V8, Rhodes now have a brand new plug-in featuring some retro favourites.

Rhodes Anthology is released on 5th November 2024. The Leeds-based team have sampled four iconic instruments from different eras and added an effects section consisting of Preamp, EQ, Pan, Velocity, Chorus, Phaser, Delay and Reverb.

I was lucky enough to get my hands on a copy and have created a few demos to let you hear the different characteristics of each piano. The plug-in was fast to install and very user-friendly and features the great effects that we’ve been able to enjoy previously on the V8 plug-in. It’s easy to dial in a bell-like sound or that crunch that was so favoured by Jazz-Funk artists in the late 70s / early 80s.

More demos will be coming later featuring more of the effects plus the mic and cab options.

The V8 has been used heavily in my tracks since its release and no doubt the Anthology collection will be making a few appearances as they’ve really captured the essence of the original instruments. The Anthology platform leaves the way open for more models to be added in future, which I’m sure Dan at Rhodes will be looking into already, being such a huge fan himself.

The demos cycle through the four models in order so that you can hear each on the same track as a comparison – the Sparkletop, Mark 1, Mark V and Mark 7.

Rhodes Anthology - Sparkle Top
Rhodes Anthology - Mark 1
Rhodes Anthology - Mark V
Rhodes Anthology - Mark 7

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More music kit demos:
Finding The Mechanism

Finding The Mechanism

On International Women's Day this year, I excitedly posted the Turing-style reaction-diffusion equation pictured here, that produced wonderful filaments in tests and looked promising in toy runs against other known tensions. However, once I started digging down into...

FANFIC – Project Hail Mary

FANFIC – Project Hail Mary

Ever since setting up my music website many years ago, I've always tried to keep my other projects seperate. However, all of that has changed with an accidental excursion into cosmology that has ended up bringing my various passions together. My composing will...

8 Favourite Virtual Pianos

8 Favourite Virtual Pianos

Happy Piano Day 2025! I’ve played a lot of pianos over the years, real and virtual and I’ve had a few different favourites, depending on what project I was working on. These are the virtual ones that I currently have installed for various musical uses, including...

Downtime

Downtime

Downtime Plug-in Capture
Downtime is released today and it’s the first in a new collection of instrumentals, inspired by some of my favourite artists like Herbie Hancock, Wally Badarou, Urbanator and many more.

This is a fun little project that I can create entirely ‘in-the-box’ and to show how in-the-box it is, the video is made up of a lot of the plug-ins used in creating this piece. Here’s a list of all tracks in my DAW, plus I had SSL Native Bus Compressor, XLN Audio RC20 Retro Color, UJAM Retro Finisher, iZotope Audiolens, iZotope Ozone Elements, iZotope Ozone Vintage Limiter and the Logic EQ and Compressor on my Bus.

This is my take on Jazz-Fusion and it very much sticks to a jazz format, with the main melody at beginning and end and a couple of lead sections in the middle. Looking forward to playing this with a band, or hearing another band play it in their set!

The artwork was generated by AI in Canva and the video created using HitFilm Express.

It’s available from today on my Bandcamp store and from 23rd February 2024 on all other stores and streaming sites.